Regulars here, such as there are, will have noticed that the look of my blog has changed a bit. Like many, I started with a default MT stylesheet ("Stormy"). But after encountering one too many blogs that looked just like my own--call it the doppelgänger effect--I've begun to chip away at the stylesheet, for now more chromatically than structurally.
Lev Manovich makes the interesting argument that because digital objects always operate within a finite (however vast) set of parameters, that a truly radical gesture of originality is to simply retain the default settings. Strictly speaking, though, he's talking about applications-based interfaces, and not stylesheets. Indeed, with the rise of CSS, skins, etc. there is now a more pronounced division than ever between "form" and "content"--something that first-wave interface revisionists like Brenda Laurel argued strenuously against. So, I'm wondering: are there genuine aesthetic possibilities that get lost in the neo-fundamentalist separation of styles and data, or is the old organic ideal just a kind of tired Romanticism?
Update 6/10: Here's a relevant passage from Laurel's Computes as Theatre (1991):
Usually we think about interactive computing in terms of two things: an application and an interface. In the reigning view, these two things are conceptually distinct: An application provides specific functionality for specific goals, and an interface represents that functionality to people. The interface is the thing that we communicate with -- the thing we 'talk' to -- the thing that mediates between us and the inner workings of the machine. The interface is typically designed last, after the application is thoroughly conceived and perhaps even implemented; it is attached to a preexisting bundle of 'functionality' to serve as its contact surface.
Laurel's own theories of HCI, as presented in the book, are aimed against this then-prevailing view--but the interface as "contact surface," an add-on to a "pre-existing bundle of functionality" is precisely the relationship between data and styles that's been reinstated by CSS, is it not?
To some extent I'm playing devil's advocate here, since I cut my teeth on SGML, the spiritual ancsetor of the current XHTML/CSS paradigm. But I would like some help in thinking this through. Note too that the separation of data and styles goes against the grain of the old humanistic saw about the mutually informing and inextricable nature of the relationship between form and content (got to go back to A. C. Bradley for that one).
Posted by mgk at June 8, 2003 12:24 PMIn terms of usability, there is an argument to be made for retaining the default settings; the more familiar the interface, the easier it is for the user. On the other hand, there is some pleasure to be found in having to learn your way around something different.
What is Brenda Laurel's argument against "a more pronounced division ... between 'form' and 'content'"?
Posted by: George at June 10, 2003 07:59 AM | Link to CommentThis is a fun discussion, in all the different places it has surfaced.
Having made the xhtml/css leap a few short months ago I have to say that I love what it does for me in the future: I can change my mind and not have to tear EVERYTHING apart.
But this doesn't mean the interface is trivial. The classic black with the calm green links you have here asserts a certain sort of personality. I imagine this infiltrates your content whether you are aware of it or not. If you were to change the interface drastically, you might find yourself speaking in a new voice.
I've been writing over on my notebook that the interface I designed has started to generate a lot of new work. It's my "furniture" and I feel comfortable putting my feet up on it.
fwiw
eLF
There is also window resizing which nicely changes line endings...
And getting voice-synthesis
in the picture
adds an auditory dimension
to the form-influence
(by analogy with the bouncing ball, I sometimes use the cursor to feel the "scansion" of a piece of writing and size and shape of cursor matters)
There is also window resizing which nicely changes line endings...
And getting voice-synthesis
in the picture
adds auditory dimension
to the form-influence
(by analogy with the bouncing ball of the sing-along, I sometimes use the cursor to feel the "scansion" of a piece of writing and size and shape of cursor matters)